Doodles in the margin from an artist living and working in the Scottish Borders.

Monday, 27 December 2010

Music on Monday: White Boy Blues

If I say "what a noise", I mean it entirely positively. 'Bukka' White knocks the hell out of a National Steel guitar playing Aberdeen, Mississippi Blues, one of his signature songs.

He had hands like Rachmaninov, a punishing way with a guitar and a Mississippi accent forty yards deep, which could partially account for the fact that he's been chiselled into history as 'Bukka' White, when his real name was Booker T. Washington White. 'Bukka' was the name a (white) producer put on the label of his first set of recordings in the 1940s, and despite hating it, White was stuck with it.

Legend has it that in 1937 White shot a man in a barroom brawl (in self-defence, it was later determined), fled to Chicago, and was two songs into a recording session when the police came for him. He served time in the notorious Parchman Farm, where he composed the songs that would make his reputation.

Not the least of his legacy is that a White's young cousin (one B.B. King) developed his distinctive finger vibrato trying to mimic White's, not understanding he did it with a slide.

The guitar featured in this video (probably, anyway - I say that to give this low voltage anecdote some narrative cohesion) is the one that wound up in Eric Bibb's hands:


While Bibb has been carrying a torch for his musical ancestors for 40 years or so, it took a chance encounter with a guitar owned by one of Bibb’s heroes, Delta bluesman Booker White, to set it ablaze.
It happened after a concert in the north of England a few years ago. A fan came up and asked him if he’d be interested in playing this old guitar. “I opened the case and there was this wise old instrument - it played like a dream” explains Bibb.
I remember talking to someone from Newcastle who heard that White's guitar was on sale at a music shop in the city. When he went there he found that there was some sort of mini pilgrimage underway and the shop was full of people like him who'd just come to have a look at Booker White's National steel.

Anyway - that guitar (probably) in the substantial mitts of Booker T. Washington White, tough, loud and magnificent.

Saturday, 25 December 2010

Merry Christmas, Baby

Merry Christmas Baby, to you all from Otis Redding and Baboonery.

Clip posted by BeachMusic, who are "shaggin' 'round the Christmas tree" apparently.

It beats getting socks and a scarf.


Monday, 20 December 2010

Music on Monday: Champion Jacq DuPre

It's huge, stirring, uplifted and dramatic. But get past Daniel Barenboim's hair and you'll notice that the lady scrapes a good fiddle.











Massive thanks to markvogue who posted these on YouTube.

Saturday, 18 December 2010

Spotlight But No Kid.

Don van Vliet, aka Captain Beefheart, whose music was Howlin' Wolf heard down a lobster telephone, has left the building.

Monday, 13 December 2010

Seasonally Adjusted


Cheviot Foothills, Autumn. Oil on board, 18" x 12".

New painting of the country around the Cheviot foothills, North Northumberland. It has a companion piece (below). I like the idea of returning to a place to observe seasonal changes, so there might be a third, snowy one sometime.*



(You'll also spot that between summer and autumn it's not just light and colour that change but hills, trees, field layouts, horizons ...)


*Might not be, though. Part of me thinks that for all the work I put in on these, especially the autumn one, they're just a bit boring.** Working on a sea/sky painting now. I like these. Sea -wallop. Horizon -wallop. Sky - wallop. Clag it on and scuffle it around.

**You see, it's comments like this that make me think I'm maybe not the best person to be in charge of my own publicity...

Music on Monday: "Those That Have Ears, Hear - Those That Don't..."

From now on, for no real reason other than it's alliterative, Mondays are Music Mondays.

Post one, and on the one, is probably my favourite James Brown song. Talking Loud and Saying Nothing was recorded October 1st 1970 in Macon, Georgia and it's funky as a week-old sock. This is the extended seven minute version: I was overjoyed to discover that there's a complete, unfaded version on the Motherlode compilation that clocks in at a magisterial fourteen minutes.

The band, and this is about nothing if it's not about the band, was the legendary J.B.s:

Clayton "Chicken" Gunnells - trumpet
Darryl "Hassan" Jamison - trumpet
Robert McCollough - tenor saxophone
St. Clair Pinckney - baritone saxophone
Bobby Byrd - organ, vocal
Phelps "Catfish" Collins - guitar
William "Bootsy" Collins - bass
John "Jabo" Starks - drums
Johnny Griggs - congas

The improvised stop/start set up from about 5:00 is the industry standard definition of 'tight.'




He didn't play on Talking Loud... but Clyde Stubblefield was the Funky Drummer. Here he gives an insight into how the Brown band worked. And there's some funky drumming.



And while we're at it, Bootsy and Jabo explain the one. To Lenny Henry.

Saturday, 11 December 2010

Cinema Paradiso: Ushers With Powers of Arrest.

It's all true and right and good and must be implemented immediately for a better world.

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