Estella and Miss Havisham. Pencil on paper.
Thursday, 31 October 2013
Monday, 28 October 2013
Season's Greetings
Illustration for M R James' The Mezzotint.
"The moon was behind it, and the black drapery hung down over its face so that only hints of that could be seen, and what was visible made the spectators profoundly thankful that they could see no more than a white dome-like forehead and a few straggling hairs. The head was bent down, and the arms were tightly clasped over an object which could be dimly seen and identified as a child, whether dead or living it was not possible to say. The legs of the appearance alone could be plainly discerned, and they were horribly thin."
"The moon was behind it, and the black drapery hung down over its face so that only hints of that could be seen, and what was visible made the spectators profoundly thankful that they could see no more than a white dome-like forehead and a few straggling hairs. The head was bent down, and the arms were tightly clasped over an object which could be dimly seen and identified as a child, whether dead or living it was not possible to say. The legs of the appearance alone could be plainly discerned, and they were horribly thin."
Thursday, 24 October 2013
The Road to Stardom... etc
Wednesday, 23 October 2013
The Road To Stardom Leads to Peebles
Two of four small pieces I've done for a modest display to go up at the Eastgate Theatre, Peebles, at the end of this week, alongside work by my wife, jeweller Laura Johnson.
Monday, 14 October 2013
Watch Out For The Eggs
When the Machines Came, No. 3. Third in an indefinite series of... things. It started out on the sinister Praying Mantis template but eventually incorporated an unexpected amount of Giant Chicken.
Saturday, 12 October 2013
Friday, 4 October 2013
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